I DONT GET LOST

I DONT GET LOSTI DON'T GET LOST 100cm x 70cm Edition 40 For the final print in his Facsimiles series, Fringe continues his exploration of the visual codes and symbols associated with childhood. In the year long rollout, of one print a month, he has extended his ambivalent relationship with childish dramas. Toys, treats and tributes have been central to the visual narratives he has expanded upon. Now, in the final print, produced on found paper, Fringe works through

we think big too

the clientele of the No Name Saloon has always enjoyed a breadth to it

this way the full story could be told without valuable inches being occupied by the back of Belfort's head

it’s a working gas station

Media: Gold leaf and Oil on canvas

The latest print by the artist FRINGE for February 2021 takes a side swipe at the world of big politics

it may be a long time before we can beat the thrill of taking a 1953 Testarossa to the most iconic stretch of the American Highway system - Forest Gump Point in Monument Valley

that makes him the world’s most relevant sportsman

morphed from hosting miners to hosting skiers - no more so than Aspen - but Telluride’s transition was much later and the emergence of a bohemian counterculture came late and without warning

hyper-realism

street fighter than some smart Upper East side Italian restaurant or cocktail bar

Title: Light the Way (New York