Dead Can Dance Dead Can Dance

Dead Can Dance Dead Can DanceOn the evidence of this, the band's first record, Dead Can Dance can clearly be seen as a "Goth" group in the vein of Bauhaus, et al. The band's sound here is much more clearly based in the "contemporary" Dead Can Dance uses traditional song structures, the group's instrumentation is almost entirely synthesized, and co vocalist Lisa Gerrard's voice rarely gets into the truly ethereal, other worldly realms that it would on later albums. Perhaps the

Queen 4:02 Format: Vinyl

Jim Hanson

Barnett's greatest asset is her down-to-earth lyrical simplicity

This R&B collection is birthed from extended late nights at the Los Angeles

there's always been an argument that identity is a reflection of the company you keep

Larry Williams (saxophone

the effect is consciousness altering

it was inevitable that it would be bigger than any other record thrown down in 2011

Albums like FAMILY MAN and SLIP IT IN had seen the band experimenting with everything from Sabbath-like metal to spoken-word to lengthy jazz-tinged instrumental explorations

Keep On Believing

with intimacy reaching through steady beats and thick keyboard tones as Maine thematically assesses "I want to be apart/I want to be a part of it all

The off-kilter distortion of “Impossible” and its spoken word in her native tongue see Bardo’s Italian roots become entwined with the ‘90s American artists whose music continues to inspire her