The synthetic proposition

The synthetic propositionTraces two intersecting trajectories in American art. It shows how rights based 1960s politics and the identity politics of the 1970s influenced the development of Conceptual art (with a capital 'C') into the diverse set of practices generally characterised as conceptualist (with a lower case 'c').

Explodes the myth that globalisation is the cause of inequality and that the state can do little to protect us

Drawing on studio documents

global competition and external shocks

the nature of this radicalism – its beliefs

and using case studies from San Francisco

As a child

where democratic governance has delivered some of its most impressive feats

its relationship to later printed editions and its value for modern scholars studying Ancient Greek epistolography

It examines how audiences

biopolitics

The Directory of World Cinema: India provides a broad overview of this rich variety

It is very much concerned with the meaning of information