In Smithereens

In SmithereensCentres on an artistic material encounter with costumes from the archive of iconic British choreographer Lea Anderson. Offers new strategies to understand performances through their material remnants, suggesting alternative ways in which the arguably haunted costumes can live on as ghosts inside and outside of the archive. 100 col illus.

Each chapter examines New Labour's initial comments

the Dashwood sisters quickly learn that love requires a balance of both head and heart

This volume contains his two most celebrated plays for the first time in English-language translation: Business is Business and Charity

Considering the reciprocal relationship between the domestic experience and its cultural expression

The medicalisation of alcohol use has become a prominent discourse that guides policy makers and impacts public perceptions of drinking

The capital of New South Wales and the most populous city in Australia

Like the Litfaßsäule in Orson Welles’s 1949 urban noir masterpiece The Third Man

Reassesses women's relationship to performance in early modern England

selected to demonstrate the breadth and significance of succession writing

considers both continuities and changes

increasing inequality and poverty

Spilling the Beans shows how late eighteenth and early nineteenth century anxieties about women’s consumption and production are manifest in novelists’ and novels’ accounts of what heroines