Staging Memory and Materiality in Eighteenth-Century Theatrical Biography

Staging Memory and Materiality in Eighteenth-Century Theatrical BiographyStaging Memory and Materiality in Eighteenth Century Theatrical Biography examines theatrical biography as a developing genre in eighteenth century England. Drawing heavily on primary sources, then contemporary reviews and archival material in the form of extra illustrated or scrapbooked copies, this text investigates the increasing emphasis on materiality which was designed to consolidate, but often challenged, the biographers authority.

notably through so-called Public Private Partnerships (PPPs)

A re-evaluation of the Northern Ireland peace process

‘heritage’ and its interpretation

Auger contextualizes cartomancy – the practice of fortune telling via playing cards – and dives deep into its invention and promulgation in film

It explores the standing and role of scripture in textual theory and in cultural

analysing policies within the longer history of both the UK and the EU and the experiences of British

this book provides a solid theoretical and analytical framework for professionals in archives

and reevaluates his celebrated and lesser known works in fiction

‘father of the Ceylon tea enterprise’ in the nineteenth century

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There is a clear economic and social rationale in providing a second chance to failed entrepreneurs and deriving positive experiences from negative situations

director of 'Hiroshima mon amour' (1959) and 'L'Annee derniere a Marienbad' (1961)