1953 Color

1953 ColorDavid Yarrow 1953 Edition12 Archival Pigment print To have access to this coveted 1953 Ferrari was a great opportunity, but it demanded scouting for a location that was its aesthetic equal. The more grand the ambitions with a tableaux, the more vulnerable each of the constituent parts are to a sense of dragging the end photograph lower. Location scouting is an integral part of our working year, as storytelling rarely blossoms in a contextual vacuum.

It’s the small things like Cindy’s hair that make such a difference to this photograph and the forecourt of Roy’s is no studio

Most of all

we think big too

like many old Colorado mining towns high in the mountains

I think the image has a Hitchcockian mood and we are left a little in suspense

This normally requires a wide-angle lens and this can work against capturing the action in an immersive and detailed way

each piece of art has a soul and possesses the ability to affect people’s lives

It dawned on me that if we were to build a set based on our understanding of wildcatting in the early years of the 20th century

he has extended his ambivalent relationship with childish dramas

In my mindset there was only girl to go this job - the irrepressible force of nature that is Cara Delevingne

Only then can we stare into his unique world

This one split second image caught my notice straight away as there is an anonymity to his face